Here's a good flick

[RIP ODB]

If you haven't already seen it, I suggest you rent Lock Stock and Two smoking barrels. It's a good british pot flick, and it was popular here in the states for a while.

It's no half-baked, but still a good movie.

RIP ODB Reviewed by RIP ODB on 02-28-2005. Here's a good flick If you haven't already seen it, I suggest you rent Lock Stock and Two smoking barrels. It's a good british pot flick, and it was popular here in the states for a while. It's no half-baked, but still a good movie. Rating: 5

[sToNeDpEnGuIn420]

you think its at blockbuster? lol

[RIP ODB]

Yeah but they might not have the DVD, look for VHS tho.

[hoodedclum]

That movies a classic, check out 'snatch' too its the sequal.

[RIP ODB]

snatch isn't half as good as lock, stock. if you ask me, guy ritchie sold out on that one.

You're from england huh, do u go to college there?

[crystal clear pepsi]

SNATCH IS GOOD BUT FOR A SEQUEL TO A WEED MOVIE , IT HAS NOT ONE WEED SCENE IT IT

[crystal clear pepsi]

P.S.

ODB Had bout ..... every drug known to man in him when he died ... jsut like my buddy Rick James..........


RIGHT ON !!!!!!!!!

[hoodedclum]

Lock stocks more of a gangsta movie than a weed movie CCP imo.
On the subject of movies dl constantine if you can its mad.

RIPODB: Im at a construction college at the mo yer

[crystal clear pepsi]

Lock stocks more of a gangsta movie than a weed movie CCP imo.
On the subject of movies dl constantine if you can its mad.

RIPODB: Im at a construction college at the mo yer

Man i wanna see CONSTANTINE soo fucking bad i can taste it !!! ive seen BEHIND THE SCENSE specials for it on E! , HBO , AND MTV all look good as shit !!!! sorryline is great , the comic was bad ass , gimme a run down HOODCLUM ...... was it as good as it looks ? or a let down with a week story ?

[hoodedclum]

It was better than i thought it would be mate. There are some really intense scenes where keanu Reeves is walking thorugh hell after he kills himself and the graphics are pretty amazing -



John Constantine has been to hell and back.

Born with a gift he didnâ??t want, the ability to clearly recognize the half-breed angels and demons that walk the earth in human skin, Constantine (KEANU REEVES) was driven to take his own life to escape the tormenting clarity of his vision. But he failed. Resuscitated against his will, he found himself cast back into the land of the living. Now, marked as an attempted suicide with a temporary lease on life, he patrols the earthly border between heaven and hell, hoping in vain to earn his way to salvation by sending the devilâ??s foot soldiers back to the depths.

But Constantine is no saint. Disillusioned by the world around him and at odds with the one beyond, heâ??s a hard-drinking, hard-living bitter hero who scorns the very idea of heroism. Constantine will fight to save your soul but he doesnâ??t want your admiration or your thanks â?? and certainly not your sympathy.

All he wants is a reprieve.

When a desperate but skeptical police detective (RACHEL WEISZ as Angela Dodson) enlists his help in solving the mysterious death of her beloved twin sister (also played by Weisz), their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic series of otherworldly events, the two become inextricably involved and seek to find their own peace at whatever cost.

Warner Bros. Pictures presents in association with Village Roadshow Pictures, a Donnersâ?? Company / Batfilm Productions / Weed Road Pictures / 3 Arts Entertainment Production: Keanu Reeves, Rachel Weisz star in Constantine, also starring Shia LaBeouf, Tilda Swinton, Pruitt Taylor Vince, Djimon Hounsou, Gavin Rossdale and Peter Stormare. Directed by Francis Lawrence from a screenplay by Kevin Brodbin and Frank Cappello, story by Kevin Brodbin, Constantine is based on characters from the DC Comics/Vertigo Hellblazer Graphic Novels and is produced by Lauren Shuler Donner, Benjamin Melniker, Michael Uslan, Erwin Stoff, Lorenzo di Bonaventura and Akiva Goldsman. Executive producers are Gilbert Adler and Michael Aguilar. Philippe Rousselot, A.F.C./A.S.C., is the director of photography; Naomi Shohan, the production designer; and Wayne Wahrman, A.C.E., the editor. Music is by Brian Tyler and Klaus Badelt.



Definetly one to check out.