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I have not yet been able to use LSD in circumstances of great physical or moral pain, and therefore my explorations of the problem of evil under its influence may appear to be shallow. Only once in these experiments have I felt acute fear, but I know of several cases in which LSD has touched off psychic states of the most alarming and unpleasant kind. More than once I have invited such states under LSD by looking at images ordinarily suggestive of "the creeps"—the mandibles of spiders, and the barbs and spines of dangerous fish and insects. Yet they evoked only a sense of beauty and exuberance, for our normal projection of malice into these creatures was entirely withdrawn, so that their organs of destruction became no more evil than the teeth of a beautiful woman. On another occasion I looked for a long time at a colored reproduction of Van Eyck's Last Judgment, which is surely one of the most horrendous products of human imagination. The scene of hell is dominated by the figure of Death, a skeleton beneath whose batlike wings lies a writhing mass of screaming bodies gnawed by snakes which penetrate them like maggots in fruit. One of the curious effects of LSD is to impart an illusion of movement in still images, so that here the picture came to life and the whole entanglement of limbs and serpents began to squirm before my eyes. (2)
Ordinarily such a sight should have been hideous, but now I watched it with intense and puzzled interest until the thought came to me, "Demon est deus inversus—the Devil is God inverted—so let's turn the picture upside down." I did so, and thereupon burst into laughter for it became apparent at once that the scene was an empty drama, a sort of spiritual scarecrow, designed to guard some mystery from profanation by the ignorant. The agonized expressions of the damned seemed quite evidently "put on," and as for the death's-head, the great skull in the center of the painting, it became just what a skull is—an empty shell—and why the horror when there is nothing in it?
I was, of course, seeing ecclesiastical hells for what they are. On the one hand, they are the pretension that social authority is ultimately inescapable since there are post-mortem police who will catch every criminal. On the other hand, they are "no trespassing" signs to discourage the insincere and the immature from attaining insights which they might abuse. A baby is put in a play pen to keep it from getting at the matches or falling downstairs, and though the intention of the pen is to keep the baby closed in, parents are naturally proud when the child grows strong enough to climb out. Likewise, a man can perform actions which are truly moral only when he is no longer motivated by the fear of hell, that is, when he grows into union with the Good that is beyond good and evil, which, in other words, does not act from the love of rewards or the fear of punishments. This is precisely the nature of the world when it is considered as self-moving action, giving out a past instead of being motivated by a past.
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